Javier Del Barco

How did the Hebrew Bible look like in the late Middle Ages? What does the diversity of forms of Hebrew Bible manuscripts mean? How did liturgical, educational and devotional practices shape Hebrew Bible’s forms? What are the functions and meanings related to this diversity of forms? And more importantly, how did Hebrew manuscript culture relate with Latin and Arabic manuscript cultures in the Latin West and the Western Mediterranean, and how did this relation impact in the production of Hebrew Bibles? This project attempts to answer these questions by proposing a new approach to the codices of the Hebrew Bible in the late Middle Ages, on the basis of an analysis of formal, functional, and contextual aspects. I will therefore attempt to redefine the concept of what the Hebrew Bible was in the late Middle Ages in a way that transcends linear, monolithic, and decontextualized meanings of the term and to contribute to an understanding of the cultural meanings constructed around the production, use, and transmission of the Hebrew Bible in late medieval Western Europe.